Namun dialektika antara adat dan agama di Minangkabau secara tidak langsung juga berdampak pada penerimaan masyarakat terhadap kehadiran mereka dalam pertunjukan. Dalam pertunjukannya, ronggeang (penari) dalam tradisi Ronggeang Pasaman ini dilakukan oleh laki-laki yang berdandan sebagaimana seorang perempuan. Tradisi ini masih hidup dan diapresiasi oleh masyarakat pendukungnya hingga saat ini. Ronggeang Pasaman merupakan salah satu sastra lisan dari etnis Minangkabau yang berkembang di wilayah Pasaman. In the end, the effort contributes to the preservation and sustainability of the existence and activities of Ronggeng in Muaro Kiawai.
Therefore, most Ronggeng artists establish Senandung Rindu group in an effort to save Ronggeng from extinction. Ronggeng is marginalized by the society, because it does not adapt with the current changes and civilization.
The study finds that Ronggeng is formed by two type arts dance and music. The data was analyzed using Miles and Huberman model. The research instruments were the researcher, helped by recording instrument. The research informants were the actors who are involved in Ronggeng art, the ethnic group elites, and the society. This study is qualitative, where data is collected by observation, interviews, and documentation. As a traditional art, Ronggeng now is in endangered due to the declining number of its presentations. The purpose of the research is to reveal and explain about the matters of Ronggeng performance as a traditional art in Muaro Kiawai village.
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